Tag Archives: Widow Woman

Chutes & Ladders

photo-52Coffee, reheated for the third time, check. Classical music lilting through my headphones, check. Bright morning sunlight, streaming through the window of my new office, check.

All the pieces seem to be in place, so why am I struggling to write? It’s certainly not that I have nothing to say—that’s never a struggle for me. Maybe it’s just that there’s been too much to say. Yeah. I like that. Too much to say and not sure how to say it.

It’s been almost two months since our family relocated from the Midwest to the East Coast, and I must confess, I’m still reeling from all the change.

The Good: The cross-country drive with my husband, our three kids, and our crazy Weimaraner was the most uneventful road trip I’ve ever had. No bad weather, no one was carsick, no horrible construction backups, no breakdowns (emotional or vehicular). The movers arrived on time, unloaded in a single day, and went their merry way; the neighbors are friendly and brought treats to welcome us; the weather here, in sharp contrast to Minnesota’s apparently lingering winter chill, is glorious; early visits by family members have been wonderful; and exploring this part of the country, which we’ve always loved, delights and entertains us.

The Bad: The house, in spite of its beautiful bones, is presenting some challenges (all right, to be honest, some days I feel like I’m living in a remake of The Money Pit), as are the kids. When did my children turn into The Bad News Bears? Limiting them to just one camp each this summer (reasoning at the time being that we’d be too busy exploring to want to be tied into a bunch of camps) looks to have been a tactical mistake. Between unpacking, moving-in-related errands, and contractors’ visits, they’ve been housebound more often than we’d planned, which is resulting in just a bit more “family time” than we’re finding healthy (if “family time” is a euphemism for trying to tear each others’ hair out by the roots and includes plentiful cussing and routine slamming of doors). ’nuff said on that topic.

The Ugly (Wait, there’s more?): This is the part I couldn’t figure out how to express. When you move, and especially when you move to a place where you don’t really know anyone, it can almost feel like a little death. I know, I still have my husband and my three kids and our crazy dog, and numerous other blessings which I count every day (well, the dog, maybe not every day…). But there are so many other things I feel are lost, that I feel like I’ve almost been in mourning since we moved: the easy, daily contact with our friends; the familiarity of our old home and community and routines—those things are all gone. I miss them. But I’ve also been feeling an additional loss: the writing foundation I’ve worked so hard to build over the last few years. My writing group; my network of local contacts, which led to such wonderful opportunities, from conferences and signings to television appearances; so many local resources—I’ve left them all behind, and now, I have to start all over again. I am feeling…well, how I’m feeling depends on what day it is, honestly. Some days, I’m depressed as hell (if I’d written this on one of those days, the title would’ve been “My Controlled Burn”). Other days I’m invigorated and inspired. It feels like my life’s become a giant game of Chutes & Ladders, where one day I’m climbing up the ladder just fine, and the next, I’m sliding back down to the bottom. I guess that’s why I haven’t been writing much—too confused to know what to say or how to feel. I’ve been stuck.

But today, I’ve decided to try to force myself back into a sense of control. Fake it ‘til you make it, right? If I have to start all over again, then that’s what I’ll do, no sense whining about it. Just do it. So I’m putting my feet back on the rungs of the ladder and climbing again. It may be slow going, but I plan on taking it one rung at a time; the important thing is to still be in the game. Next post, I promise: less whining, more sunshine.

P.S. Speaking of ladders, what do you think of my new office? Oops, guess I forgot to include that in “The Good.” And it’s a Big Good. You can’t go wrong with floor-to-ceiling bookshelves so big and full you need a ladder to access them all. Yep. Up is good, and that’s where I’m headed.

In Like A Lion!

March definitely roared in like a lion for me, so I don’t have a lot of time to update, but there are some cool things going on this month:

  • WWoman printThe print version of Widow Woman is complete and will be available for purchase at Amazon by the end of this week! If you simply can’t wait and you happen to be in the Twin Cities area this coming weekend, I’ll be at the Bloomington Writers Festival on Saturday 03/23, where I’ll have print copies available for purchase and signing and will be giving away tons of awesome goodies; I’m also scheduled to do a live reading at 11:25.
  • In addition to preparing for the Writers Festival this week, I’ve also kicked off my first virtual book tour with Orangeberry Book Tours! For those of you unfamiliar with the concept, a virtual book tour allows authors to connect with readers all over via social media, including guest blog posts, Twitter blasts and tweet chats, book features, and more. Orangeberry’s been asking me tons of questions over the last month in preparation for the tour, so if you’d like to follow along, check in on Widow Woman’s FB page or follow me on Twitter. I’m posting a link to my remaining tour dates/sites below; feel free to add your own questions to those Orangeberry asked–I’m having a lot of fun interacting with readers!
  • As many of you know, I wasn’t entirely satisfied with the way the e-book edition turned out, but was unable to rectify the situation in time for the launch in November. WELL–I’ve teamed up with a new company, who has finished the new e-edition, and once the print edition is available next week, I’ll be pulling the e-book edition for a couple of days to process the upload of the new and improved “2nd edition,” so if you go to look for the Kindle version and find it unavailable for a day, that’s why. Please check back–hopefully it won’t be longer than that. Ack, my nerves!

There are a number of things going on on the home front, too, which will require me to go on a partial hiatus for the next couple of months, so after the Writers Festival, I’ll be taking a break from posting for a couple of months, but look for my next updates post-June, when I imagine I’ll have A LOT to say (but then, I always do, right?)

Julia’s Orangeberry Book Tour Stops!

Absence

I’m back! Did you miss me?

Wait–you didn’t even notice I was gone? Well, that’s depressing.

For those of you who did notice, I didn’t actually go anywhere, except to work at my new full-time job (hence the gap between posts). I am now officially working at XXXXX, XXXXX-ing a number of XXXXX’s for several large XXXXX’s–it’s all very top-secret. Yeah. That sounds pretty exciting, doesn’t it? I’ll just let you fill in those blanks yourself (feel free to insert your own ideas here; they’re probably far more titillating than what I’m really doing).

But it’s a job, it’s flexible, and it’s close to home, so no horrendous commute this time around.  The only real downside (other than the fact that XXXXX-ing is about as stimulating as watching paint dry) is that I’ve returned to work just at the time that I need to be busting on getting the print edition of Widow Woman ready to go and I don’t have a lot of extra time to spend on it now. I should, in fact, be working on the proofing now, but I worry that if I go too long between posts, you  might forget about me and move on to some other crazy writer’s blog.

So where am I now? I’ve seen the first draft of the cover from my wonder of a designer, I’m at about Chapter 6 of the proofing, and still need to purchase my ISBN (but at least I finished my research into which one to get–is there any good reason for those things to be so complicated?). Why am I reproofing, you might ask? Well, if you read some of my earlier posts, you know that the e-book version turned up a number of “little darlings” that need to be fixed and I’m anxious to put out a cleaner 2nd edition (but don’t forget: those 1st edition bloopers will make for a valuable item, someday. Yes, that’s what I’m telling myself–it helps manage my anxiety).

Well, that’s where things stand now–still plugging away at it, though in fits and starts during lunch and coffee breaks instead of in 8-hour stretches. Nobody said it’d be easy–because if it were, fewer people would be crazy enough to do it, I guess.

I’ll keep you posted! In the meantime, feel free to check in with me on Twitter or Facebook–shorter posts and tweets may be all I can manage for the immediate future.   

 

 

Keepin’ It Real

Someone recently asked me to name some of my favorite moments as a writer. One that immediately sprang to mind was my phone conversation with a local fire chief about the feasibility of murdering someone by combining ammonia and bleach.

It took several minutes of fast talking on my part to convince him I was, indeed, doing research for a book. I don’t know that I ever fully convinced him, but we did wind up having a delightfully surreal conversation on the different ways that one might accomplish such a murder and avoid being implicated.

Hee hee. Bet you didn’t see that one coming, did you?

That moment remains one of my favorites, I think, because first, I love surprising people, and second, it was the true beginning of my love affair with research.

Uhh…come again?

You heard me. I love to research. Maybe it comes from my family’s teaching gene (my mother and I were both teachers) or maybe I’m just weird (guilty as charged, but that’s another phone conversation entirely), but I love conducting research almost as much as I love writing.

Research is important for all writing, not just for nonfiction. Research brings realism: it helps readers relate to characters and facilitates their willful suspension of disbelief.

When I wrote my first draft of Widow Woman, I initially set it in the present, but from a dramatic standpoint, that just wasn’t working. When my editor suggested a change of era, I knew that was the right thing to do, but doing so entailed a complete rewrite—and a great deal of research.

From small details—Did peanut M&Ms exist in 1962? How were they packaged?—to critical plot points—Was ambulance service available to that small town in 1962? What life support technology existed?—I needed to make sure that the integration of plot and era happened smoothly, without any irritating anachronisms to break the spell (like the first draft of my rewrite, when Audrey, the main character, threw her cell phone across the room. In 1962. I’m pretty sure cell phones did not exist for personal use at that time and that if they did, Audrey would’ve needed a crane just to lift one). Good research keeps those types of breakdowns from happening (and I honestly loved learning all about Minnesota in the early 1960s).

Some of the most treasured feedback I’ve received from Widow Woman readers has been about how realistic it is, particularly the hospital scenes (No spoiler am I—you’ll have to read them for yourself, if you haven’t already). Readers have been expressing a general sense of disbelief that I’ve never personally experienced those particular events. Sometimes the questions are pointed:

“Is this really your mom?”

“How do you know so much about marital infidelity?”

“Were you craving cigarettes the whole time you were writing this?” (Answer: yes.)

Sorry to continue to disappoint everyone, but while this book was inspired by some real people, the characters and events therein are complete and total works of fiction, brought to more vivid life because of my bizarre affection for conducting hours of research.

Freaking out unsuspecting fire chiefs is just a bonus.

 

 

Signed, Sealed, Delivered

authorgraph logoMaybe it’s because I’m actually signing some autographs now, but I’ve been thinking a lot about signatures lately.

Your signature is a pretty important part of your identity, wouldn’t you say? I mean, we all make jokes about people with illegible handwriting going on to become doctors or pharmacists (or the U.S. Treasury Secretary), but some people really believe that your signature tells a great deal more about you than just how many times Sister Mary Frances rapped on your knuckles with a ruler during cursive practice.

There’s even a whole field of study dedicated to handwriting, called graphology (although when Wikipedia calls a field of study “pseudoscientific,” it’s wise to take any findings with a grain of salt).

Still, it is amusing, at least, to imagine what people can read from your signature. I even went online and took a signature analysis quiz (fair warning: it was a lame one), just for fun. My results focused entirely on the way I dot my I’s. Apparently, although I’m restless and always in a hurry, the fact that I actually take time to dot them means I am attentive to even minute details. Hmm. Freakily accurate.

One other reason I’m looking at my signature is my involvement with Authorgraph.com (just another thing I have in common with E.L. James). It connects readers wanting autographs with writers and allows them to receive personalized digital autographs for their e-books from their favorite authors. For authors, it’s a great tool to connect with readers who can’t attend their events in person.

When I first joined the Authorgraph stable, I didn’t yet own a tablet, so I had to use a mouse (and apparently an angry one at that) to create my digital signature. Haha, if I’d taken the signature analysis quiz with that, my results would’ve shown me to be restless, in a hurry, and wearing a large, heavy cast on my hand. Plus someone you wouldn’t want to sit next to on any form of public transportation.

Happily, now I’ve got tablet access, so I spent a little time this morning playing around with the stylus and tablet to try to improve my Authorgraph. I think it’s better now (although maybe I should take another quiz to make sure my signature doesn’t scream “demented photo bomber in training.”)

Let me know what you think.