Category Archives: All Things Writing

Hot off the Presses!

Is there anything more exciting for a writer than the day you actually get to hold a published piece of your work in your hot, little hands? Maybe it’s a magazine; maybe it’s a web piece, and you just have to content yourself with lasciviously stroking your screen. Some days, though, it’s an actual, real-life BOOK. 

Well, dear readers, today’s another one of those days for me, and I couldn’t be more thrilled with my newly-arrived, absolutely gorgeous copy of Love + Lust, the final book in the Open to Interpretation series:

L+L 1

Ahhh. If I still smoked, I’d say I need a cigarette, but since I don’t anymore, a good, long “Ahhh” will have to suffice. Go ahead, open it up! There it is, right there on page 71, my story “The Navigator,” inspired by a beautiful photo from the very talented photographer,  Jennifer McClure.

L+L3

I cannot wait to sit down with this gorgeous book, to gaze at all the stunning images therein and to lose myself in the amazing poetry and prose of the other writers chosen for this collection. I am humbled, honored, and, frankly, ridiculously excited, at having been included in their midst.

L+L2

But don’t worry, I’m sure I’ll get over it (hahaha, yeah, right). For now, I’m just going to savor the moment. You see, days like this come few and far between, especially for indie writers, so please forgive me if you see me milking this one for every ounce of joy that it’s worth–it could be a long time until the next one.

My heartfelt thanks for this particular moment go to Aline Smithson, the photography judge; Dorianne Laux, the writing judge; and Open to Interpretation’s Clare O’Neill, who invited me to submit my piece. Thank you for including me, thank you for the exquisite book you’ve created, and Ahhhh. You have no idea how much I needed this today.

[To order your copy, visit http://www.open2interpretation.com/purchase.html, but be patient–they’re currently sold out, tee hee!)

Walking the Past

TARDIS2 by http://en.wikipedia.org/wiki/User:Zir

TARDIS2 by http://en.wikipedia.org/wiki/User:Zir

Earlier this month, I received an extraordinary gift: a trip back in time. Oh, it wasn’t a Tardis and I didn’t really time-travel, although that would have been really cool—it just felt like I did.

When I first met my husband, we were college freshmen, just starting off the year. We happened to live on the same floor of the same dorm, and right from the start, we knew This Was It. We lived, and dated, there for three years, moved into awful off-campus housing, married after graduation, are raising three wonderful kids, and just celebrated our twenty-first wedding anniversary.

It’s been a very good life, a very happy one, and in general, I’ve never looked back—until this spring, when we learned that the dorm where it all began was about to be demolished (to make way for, what else, a parking lot or a thru-street or whatever). Suddenly, looking back seemed not only like a good thing to do, but also a moral imperative. So on a trip back to visit our families nearby, we decided to squeeze in a road trip with our kids, to show them our old stomping grounds—and to say goodbye.

We didn’t know what stage of the building’s demolition awaited us. Personally, I thought I’d just be really happy if we could snap a picture of us in front of the building sign, a bookend to one taken of us a few weeks after we first started dating.

We drove slowly on our way to campus but the conversation was lively: our kids, generally pretty uninterested in any stories prior to their births, were suddenly filled with questions about our early days together, and my husband and I happily answered them, laughing, squeezing hands, and exchanging knowing smiles at carefully-censored details.

As we turned onto the street where our dorm had stood so many years before, I couldn’t yet see if it was standing or not. In the years since we’d graduated, the university had erected large columns and now-mature trees that blocked the old wide-open view, and I found I was holding my breath.

There! There it was, still standing. I couldn’t help it—I actually squealed and my kids erupted with teasing laughter. My husband parked the car and I practically skipped across the street to the old dorm sign. Building and sign had not changed a bit. We posed again with the sign, letting our daughter snap some pictures, and marveling at the changes that had sprung up around our old building (artfully ignoring the changes time has wrought with us): the enlarged rec center kitty-corner from it; the upgraded stadium across the street; the new athletics practice facility. It was a surreal mix of the very old and the very new, and the silence of a summer-empty college campus only served to heighten the feeling that Time had graciously decided to stop for a few hours and let us wander around in peace.

We were, indeed, planning on strolling around the rest of the campus next—visiting the rec center where we both worked; hunting for an establishment that would serve us our beer nuggetsmuch-loved and much-missed beer nuggets; stopping at the campus bookstore to pick up some university gear—but then my husband suggested we walk around the front of the dorm.

 

 

Assuming we’d just stop at the entrance and snap a few pictures there, I followed my family around to the two sets of double steel doors we’d walked through so many times during the three years we lived there.

One set was chained.

The other was not.

We saw no signs about condemnation, no warnings against trespassing, no contractors busy dismantling our past. So my husband tried the door.

It was open.

Well, what would you have done? Probably the same thing we did, which was to creep inside the building, looking around for signs of security or construction crews or campus police (not our first time doing that on that campus). But the place was deserted.

So we began to wander. With each step, my heart pounded harder, a delicious combination of the fear that someone would stop us and the thrill of long-forgotten memories thundering through me.

Every step, every breath, every turn, brought another memory, and we marveled at the most prosaic of items—our kids must have thought we were nuts.

mailboxes“Hey, here’s my old mailbox!”

“Remember these stairs? God, how many times did we trudge up and down these.”

“Look! The cafeteria!” (We assured them, we were never that excited to see it when we were students—well, except when we were making out in the line before dinner. That was pretty exciting.)

We made our way up the stairs, constantly waiting for someone to stop us, to tell us we didn’t belong here, but the continued silence and lack of pursuit only solidified our feeling that we did—we did belong here, at least once upon a time.

As we reached the security door to our floor, one of two that, since my room was so close to it, I had to open a gazillion times for neighbors who’d forgotten their keys, I held my breath again. Surely this would be where our tour stopped; in three years, that door had never been left unlocked. But once again, it was, miraculously, open, an all-access invitation to enter.

We stepped through the door, and in the absolute, empty stillness of the hallway, I suddenly felt we were stepping on hallowed ground.

Crappy artwork, some of which we recognized from our days, still adorned the walls, preserved under plexiglass plates screwed into the walls; obviously, it had been deemed unworthy of rescue by the salvage crews who had already cleaned out everything else in the building of possible value or hazard.

The room doors were just the same: heavy, thick, still painted the same ugly green, but with one new feature: large, penciled X’s slashed across each door—This Room Is Clean. (Well, empty, at least—what decades-old college dorm room could ever be called clean?)

Ghosts met us at every turn, faces we hadn’t seen in years, and as we described their antics to our kids—and some of our own, though not all, wink, wink—I could almost hear them coming back to life all around me. Thumping music; the heavy, thunk-slam of the security door; the constant thrum and hum of youth and energy and The Future rose up like a mist from the very floor. My kids blamed it on the odor of stale, spilled beer and unwashed college bodies. They were partly right, but only partly: I knew it was The Past, walking beside us.

NIU roomWhen we came to the door of my husband’s room, he paused, took my hand, and gave me a wicked grin.

“Remember this?” he asked. I could almost hear my kids gagging behind me. Oh, to have had a few minutes alone right then. But I just smiled.

Yes. Yes, I remember.

We showed the kids inside our rooms, agreeing with them that they were ridiculously small; that the rickety plastic doors on the closets were crappy; that the towel racks mounted inside the cabinet doors over the radiators—for “drying” your towels after your trip to the communal [Ick, was our kids’ consensus] showers—were hilarious by today’s standards; that squeezing two roommates into rooms that size amounted to a human rights violation.

But inside, we were remembering other things: the day my husband first kissed my hand; rare, lazy afternoons crammed up against each other in his tiny dorm bed, watching classic movies (some days it was Action Jackson; some days it was The Quiet Man) on his cutting-edge VCR; late-night sprints to the lobby, three dollars in hand, to catch the beer nugget truck before it pulled away; idyllic between-class hours, hours and hours, filled with exuberant, greedy, young love.

Yes, I remember.

As our time (and our kids’  kind indulgence) ran out, we finally headed down to leave the building. Though worrying that someone would stop us or arrest us for trespassing, I stopped and took one long last look back. Knowing with 100% certitude that, unlike the last time I left this building “for the last time,” I would never see this place again, I offered up—what, a prayer? A silent thank-you?—to whatever powers that were that day, my heart full of gratitude at having been allowed to cross that threshold of time again, to walk those floors, to feel those feelings, to remember those now-halcyon days of our extreme youth. It was an unparalleled gift, one I hope never to forget, long after the day arrives when only a road or a parking lot covers the place where so much of my life began.

Goodbye, and thanks for the memories.

Douglas Hall cropped 2

 

Are You Ready to Edit Your Manuscript? by Jessica Bell

[I am ridiculously excited to play hostess today to a very special guest: poet, editor, musician, and all-around fascinating writer, Jessica Bell, author of Polish Your Fiction: A Quick & Easy Self-Editing Guide. Enjoy! — Julia]

ARE YOU READY TO EDIT YOUR MANUSCRIPT? by Jessica Bell

black and white_Jessica Bell

I believe that editing and revising are two completely different things when it comes to a fiction manuscript. Revising involves altering and/or amending your story. Editing involves checking and improving accuracy and clarity. So, before you begin to edit your manuscript, you need to make sure you have revised it to the best of your ability.

I’ve put together a revision checklist for you in order to determine whether your manuscript is ready to be edited for publication. If your answer is the opposite of what is in brackets after each question, then you need to revise your manuscript again before moving onto the editing stage. You also may like to ask your beta reader/critique partner these questions to get a more objective perspective on your progress.

PLOT & PACING
—Does it have a clear beginning, middle, and end? (yes)
—Do your characters evolve throughout the story, i.e. do they change? (yes)
—Do your characters encounter obstacles along the way which prevent them from meeting their goals? (yes)
—Do your characters eventually overcome obstacles? (yes)
—Are there any sections of your book which seem to drag? (no)
—Do you ever want to skip over some scenes to get to “the good parts?” (no)
—Do you feel there are any scenes which end too quickly? (no)
—Is your story driven by an underlying question that readers need to know the answer to? (yes)
—Are there any major facets of your story you could remove without affecting your plot? (no)
—Does the major thread get resolved, or at least come to a realistic conclusion? (yes)
—Does the big reveal come close enough to the end? (yes)

SHOW, DON’T TELL
—Can you visualize what you are reading as though it were happening right in front of you? (yes)
—Can you feel the emotions your characters are feeling? (yes)
—Do your characters seem flat and lifeless? (no)
—Have you made your characters real? That is, would your readers recognize your characters if they met them on the street—without you using a lot of explicit exposition to describe them? (yes)

INCORPORATING SENSES
—Is the imagery vivid? (yes)
—When a character touches something, can you feel it? (yes)
—Can you hear the dialogue (and dialects, if applicable)? (yes)
—Can you hear everything your characters are hearing? (yes)
—Can you taste and smell all references to flavour and scent? (yes)
—Are you constantly using the words see, hear, touch, smell and taste? (no)

BALANCING BACKSTORY
—Are there any instances where you feel you are being told irrelevant information? (no)
—Are there pages and pages of backstory all clumped together? (no)
—Does your story begin with the backstory of the protagonist? (no) If yes, are you sure it’s necessary to your plot? (yes)
—Have you peppered necessary elements of backstory throughout your manuscript in relevant places that move the story forward? (yes)
—Does your backstory offer significant insight into your characters’ personalities, and is it important to readers’ understanding of the plot? (yes)

ELIMINATING CLICHÉS
—Are the actions of your characters often described using run-of-the-mill phrases? (e.g. She is driving me nuts.) (no)
—Are your characters stereotypes? (e.g. an intellectual that wears glasses, or a blonde big-breasted lifeguard) (no) If yes, are you sure they’re vital to your plot? (yes)
—Have you identified a unique slant to your story? (yes)

What do you think? Are YOU ready to edit?

 

Bio:
Jessica Bell, a thirty-something Australian-native contemporary fiction author, poet and singer/songwriter/ guitarist, is the Publishing Editor of Vine Leaves Literary Journaland the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca. She makes a living as a writer/editor for English Language Teaching Publishers worldwide, such as Pearson Education, HarperCollins, MacMillan Education, Education First and Cengage Learning.

Polish Your Fiction front cover-2

 

Connect with Jessica online:

Website | Retreat & workshop | Blog | Vine Leaves Literary Journal Facebook | Twitter

 

Whiskey and Me

I’m feeling like Whiskey today. Not the alcoholic beverage, though you could be forgiven for thinking that, given the long, clichéd partnership between alcohol and writers.

No, I’m actually talking about a horse—this horse, in particular:

Whiskey & Me

During my family’s recent vacation, we went horseback riding, and I was paired with a gorgeous horse named Whiskey. Once we were actually on the trail, Whiskey was a good-natured, responsive, reliable, trustworthy mount, and I really enjoyed our beautiful trail ride through the Sea Pines Forest Preserve.

I bet you noticed, though, that I started that last sentence with “Once we were on the trail,” didn’t you? Hope the placid picture didn’t fool you…

Though placid he was for the ride itself, when we were not on the trail, but waiting for others to mount or dismount inside the holding corral, Whiskey was a giant pain in the ass. Every other horse in the group—and there were maybe fifteen or twenty of us total—waited serenely and calmly and precisely on the dime where the handlers had “parked them.” But not Whiskey, ohhhh, no. He was ready to go, finished with this waiting crap. He kept inching his way backwards, trying to sneak out of line, and pestering the other horses. [Now I’m sure some vastly more experienced rider will read this and kindly decide to take it as an opportunity to instruct me in the finer points of horsemanship so behavior like this doesn’t happen with me and my next horseback ride, so let me take this opportunity to cut you off at the pass and say “Shut up. Not the point of my story.” But thanks for your generosity.]

The handler and I had to work hard (okay, maybe not so hard, more like, hard-ishly) to get Whiskey back into line while the other riders mounted, and I have to say, I was getting a little nervous. After all, there were alligators out there; what if he bolted, with me hanging on for dear life, and shot me right over his head into Lake Joe?

Fortunately, my fears were quickly allayed because, as I said, once we got going Whiskey behaved exceptionally well, which led me to conclude that earlier, he was just suffering from a surplus of exuberance and raring to go. Who could blame him? I mean, really, who wants to stand locked up in a pen when you can be out walking a beautiful trail on a beautiful day? Let’s go, already!

But of course, even though it was a lovely ride, I quickly realized when we returned to the corral at the end and had to line up and wait—again—for the other riders ahead of us to take pictures and dismount, that clever Whiskey had clearly lulled me into a false sense of security with his docile and accommodating trail behavior.

As the wait grew longer (Take the damn picture, already!), Whiskey grew even more impatient than he was before the ride, stamping and snorting, trying to butt in front of the other horses, blowing earthshaking raspberries into the dirt. He barely stood still long enough for me to dismount before bucking and galloping wildly, free at last, into the pasture where, apparently, his lunch awaited him. (Yeah, I get that way about food, too, Whiskey, I feel you.) Needless to say, I was immensely grateful that he had waited for me to get clear before he started sprinting.

Whiskey, dear friend, I so get you—you were tired of being confined, tired of standing still or plodding in a circle. You were ready to break free.

I’m feeling that now. It is, of course, what I mean when I say I’m feeling like Whiskey.

As you know, I’ve been working on my first M.A. in Fiction class for the last four months. It’s been an incredible experience, and I have learned more, and grown more, as a writer, than I’d ever dreamed I would, and I am looking forward with great anticipation to the next class I will take in the fall.

For the last four months, I’ve also only worked on reading and writing for school: creating pieces from someone else’s writing prompts, reading books and stories which, while edifying and largely enjoyable, I probably wouldn’t have chosen on my own (though now, and especially after his interview in the March/April 2014 issue of The Writer’s Chronicle, I am an ardent fan of Richard Bausch and will read everything of his I can get my hands on). While it was all part of necessary work that needs to be done, both as part of the degree program as well as of my pursuit of becoming a better writer, “necessary” takes away a lot of the joy and freedom I get from my own writing, to which I’m eager to return now. I’m ready to be free again, if only for a little while until my next class begins.

The writing I’ll return to next month includes finishing The Water Bearers, at last. This week, I’m thrilled to say, another thread of a Gordian plot knot I’ve been wrestling with has finally loosened, thanks to Neil deGrasse Tyson, Cosmos, and a fascinating little critter called a Tardigrade:

Tardigrade

I can’t share too much of what a Tardigrade has to do with my novel (not yet, anyway), but suffice it to say, that when I watched that episode this week with my youngest son, it was an AHA! of the greatest magnitude. Yeee Haaaaaa!

So now, with just one week of class left, the time to be placid and serene is drawing to a close.

I am Whiskey, stomping, pawing at the ground—and yes, forbid the pun, chomping at the bit. I am ready to go.

 

The Satisfaction of Closure

button for blogLast month, I wrote a guest blog for author Jessica Bell’s weekly The Author Unleashed series, in which I discussed some of the reasons I’ve recently decided to finish my M.A. in Fiction. Since writing that post, I’ve realized that aside from the reasons I listed there, I neglected to include one of the most important purposes for embarking upon any course of higher education: It’s not only to learn about your subject matter; it’s also to learn about yourself.

Well, I’ve been back in class for about a month now, and lo, and behold, I’ve already learned something completely surprising about myself: I am, apparently, a closure addict.

I’m not alone in this disorder; in fact, one of the earliest victims I remember encountering was Roger Rabbit. “Shave and a haircut, two…” (Go ahead, I dare you, resist finishing that in your head.) At that time, however, I saw no similarities between the two of us and I ascribed his difficulties to the fact that he was a Toon.

 

clown-jack-in-the-boxIt’s not only Toons who love closure, however: Recently, The Big Bang Theory spent nearly a full episode detailing Sheldon Cooper’s struggles with the problem. Oh, how I sympathized with Sheldon’s need to make that Jack-in-the-Box pop (we even had the exact same one for our kids when they were little). The unfinished Tic-Tac-Toe game, the prematurely cancelled television show—I truly felt his pain, but again, any similarities between us were, of course, merely coincidental and could be chalked up to the fact that Sheldon Cooper is a crazy television character.

 

No, I never really thought that I had a problem with closure, until this month when I read the short story “What Feels Like the World,” by Richard Bausch, for homework. [WARNING: SPOILER ALERT]. All through the story, I rooted for the character Brenda to reach her goal. I struggled with her, I somersaulted with her, I dieted with her, I agonized with her and her grandfather, and just when her moment arrived—her big moment, the ultimate event Bausch had been building us up to with his every paragraph, the Holy-freaking-Grail of moments in this tiny, little story—that’s when that sadist Bausch decided to end his story, right there, with no resolution, no closure, no answers. Needless to say, that’s when all hell broke loose.

 

Fire rained down from the heavens. Fault lines heaved open. Killer tsunamis roared destruction along every coast. Women and children wept.

 

Okay, I’m exaggerating a teeny bit. But boy, I was pissed. I can’t remember the last time I read an ending that left me feeling so angry, so abandoned, so betrayed, so bereft. How dare he leave me hanging like that, without knowing what happened to Brenda? I griped about it on our class discussion board. I whined about it to my kids (who yawned and changed the TV channel). I fantasized about finding Bausch and forcing him to “finish” the story. I wrote alternate endings in my head, ending them all with “Harumph. That’s how you should’ve ended it, you tosser.” I’m even still blogging about it now, a week later.

Why?

 

Well, the answer to that is what I was saying earlier, that I’m already learning valuable things about myself in this class (which is why I’m going to school in the first place) and one is this: I am, apparently, as addicted to closure as any Sheldon Cooper or Roger Rabbit, and it’s the short writings I’ve been doing for class that have proved it to me beyond a shadow of a doubt.

 

Oh, I’ve read a few short stories in my life—you can’t get out of any high school lit class without them. But it was never my favorite form. I think it’s because normally, I read so fast that the escape I seek from reading doesn’t last long enough (or take me far enough away) with a short story; I can get so much farther reading a novel.

 

So when everyone tells me (as they tell most other writers) to write what I love, naturally, I started with novels. That’s not to say I haven’t written any short stories; I have: One took second place in a writing competition in my online writers’ group—I think I mentioned that in this blog when it happened. Just last month, I learned that the next book in the Open to Interpretation series, Love + Lust, will include my short story “The Navigator,” to be published this summer. I can write short stories; I just didn’t realize, until this class, that I like to.

In just these few weeks, I’ve already cranked out four stories. Four! In a month! How is this possible? Well, all I know is that an idea pops into my head—in class, from homework, from a writing prompt, even from a classmate’s first line as part of an exercise—and wham-o!—out pops a story.

 

It’s so different from the years-long processes I’ve endured while writing my novels (partly, I think, because I also suffer from HFD—High Frequency of Distractions. It’s different than ADD or ADHD, because my lack of focus is due to external distractions: kids, dogs, phone calls, appointments, etc. No pill can cure that). Completing something good, even if it’s short, has been a delight, each and every time it’s happened. Now, a mere month in, I feel I’m a goner in the truest sense of the word.

 

My writing teacher keeps asking for “scenes” or “segments,” but my brain resists and cranks out a complete story each time. As part of a class exercise, she just asked for a description of a woman, a room, a place; I wrote a first draft of a story. She asked for a first line from each student in class; mine arrived with a full story attached. (Imagine how peeved I was when she told us the assignment was to use someone else’s first line. But even that was okay, because I already had stories for all of those lines, too.)

I don’t know if these stories are any good, but once they grab hold of my mind, I’m helpless before the compulsion to write to completion. I simply can’t stop, so I can only conclude that I must be a closure addict. I’m assuming my condition has gone undiagnosed to this point because until now, I’ve spent my time slogging through novels, spreading out my closure fixes far enough that I didn’t have a chance to get hooked on those multiple Endgasms writers love so much.

So there, I’ve said it. Now I’m out in the open about my problem, which, as everyone knows, is the first step towards getting help (though just what form that help might take, I have no clue).

And to think, if I’d not gone back to school, I might never have known I had a problem (of course, one could also argue that it was this class that, with its weekly short writing exercises, has, in fact, served as my gateway drug…)

 

Will I stop working on my novels? Ha. Clearly, you don’t understand the concept of closure addiction. I have to finish them. But I will definitely be making time for a little short story closure action on the side.  And if you’re very good, I might even share some of it with you.

Unfinished Business